| “To Ekaterinhof,” replied Lebedeff. Rogojin simply stood staring, with trembling lips, not daring to believe his ears. He was stunned, as though from a blow on the head. |
| Hippolyte died in great agitation, and rather sooner than he expected, about a fortnight after Nastasia Philipovna’s death. Colia was much affected by these events, and drew nearer to his mother in heart and sympathy. Nina Alexandrovna is anxious, because he is “thoughtful beyond his years,” but he will, we think, make a useful and active man. |
| Nina Alexandrovna’s question betrayed intense annoyance. Gania waited a moment and then said, without taking the trouble to conceal the irony of his tone: |
“It’s simply that there is a Russian poem,” began Prince S., evidently anxious to change the conversation, “a strange thing, without beginning or end, and all about a ‘poor knight.’ A month or so ago, we were all talking and laughing, and looking up a subject for one of Adelaida’s pictures--you know it is the principal business of this family to find subjects for Adelaida’s pictures. Well, we happened upon this ‘poor knight.’ I don’t remember who thought of it first--”
“You are still suspicious, I see, and do not believe me; but you may be quite at your ease. There shall be no more tears, nor questions--not from my side, at all events. All I wish is that you may be happy, you know that. I have submitted to my fate; but my heart will always be with you, whether we remain united, or whether we part. Of course I only answer for myself--you can hardly expect your sister--”
| Aglaya suddenly whispered angrily to herself the word-- |
| Gania was silent and merely looked contemptuously at him. |
| “It will be well,” she said, “if you put an end to this affair yourself _at once_: but you must allow us to be your witnesses. They want to throw mud at you, prince, and you must be triumphantly vindicated. I give you joy beforehand!” |
| “I don’t think you should take it quite like that,” said the prince, quietly, and without removing his eyes from the carpet. “I think it is more a case of his forgiving you.” |
“Well--he’s a good match--and a bad one; and if you want my opinion, more bad than good. You can see for yourself the man is an invalid.”
| Left to himself at the cross-roads, the prince glanced around him, quickly crossed the road towards the lighted window of a neighbouring house, and unfolded a tiny scrap of paper which he had held clasped in his right hand during the whole of his conversation with the general. |
| “Who was by him at night?” |
| “As lovely as _who?_” said Mrs. Epanchin. “As _Nastasia Philipovna?_ Where have you seen Nastasia Philipovna? What Nastasia Philipovna?” |
And, indeed, there were no words in which he could have expressed his horror, yes, _horror_, for he was now fully convinced from his own private knowledge of her, that the woman was mad.
| The prince replied that he saw it. |
| “Where are the cards?” |
| Rogojin’s troop, who were only waiting for an excuse, set up a howl at this. Lebedeff stepped forward and whispered something in Parfen’s ear. |
“In half an hour or so the loss was discovered, and the servants were being put under examination. Daria, the housemaid was suspected. I exhibited the greatest interest and sympathy, and I remember that poor Daria quite lost her head, and that I began assuring her, before everyone, that I would guarantee her forgiveness on the part of her mistress, if she would confess her guilt. They all stared at the girl, and I remember a wonderful attraction in the reflection that here was I sermonizing away, with the money in my own pocket all the while. I went and spent the three roubles that very evening at a restaurant. I went in and asked for a bottle of Lafite, and drank it up; I wanted to be rid of the money.
If Hippolyte and Nina Alexandrovna had, as Gania suspected, had some special conversation about the general’s actions, it was strange that the malicious youth, whom Gania had called a scandal-monger to his face, had not allowed himself a similar satisfaction with Colia.
“I quite understand you. You mean that an innocent lie for the sake of a good joke is harmless, and does not offend the human heart. Some people lie, if you like to put it so, out of pure friendship, in order to amuse their fellows; but when a man makes use of extravagance in order to show his disrespect and to make clear how the intimacy bores him, it is time for a man of honour to break off the said intimacy, and to teach the offender his place.”| But he had no time to say another word before Aglaya’s terrible look bereft him of speech. In that look was embodied so dreadful a suffering and so deadly a hatred, that he gave a cry and flew to her; but it was too late. |
“Why so?” asked the prince uneasily.
“At the scaffold there is a ladder, and just there he burst into tears--and this was a strong man, and a terribly wicked one, they say! There was a priest with him the whole time, talking; even in the cart as they drove along, he talked and talked. Probably the other heard nothing; he would begin to listen now and then, and at the third word or so he had forgotten all about it.
However, he made up his mind that he would himself take the note and deliver it. Indeed, he went so far as to leave the house and walk up the road, but changed his mind when he had nearly reached Ptitsin’s door. However, he there luckily met Colia, and commissioned him to deliver the letter to his brother as if direct from Aglaya. Colia asked no questions but simply delivered it, and Gania consequently had no suspicion that it had passed through so many hands.| He stood so for ten seconds, gazing at the prince, motionless, deadly pale, his temples wet with perspiration; he held the prince’s hand in a strange grip, as though afraid to let him go. |
“Just a couple of words!” whispered another voice in the prince’s other ear, and another hand took his other arm. Muishkin turned, and to his great surprise observed a red, flushed face and a droll-looking figure which he recognized at once as that of Ferdishenko. Goodness knows where he had turned up from!
| “No, that was another commentator, whom the papers named. He is dead, however, and I have taken his place,” said the other, much delighted. |
| Rogojin had dropped the subject of the picture and walked on. Of course his strange frame of mind was sufficient to account for his conduct; but, still, it seemed queer to the prince that he should so abruptly drop a conversation commenced by himself. Rogojin did not take any notice of his question. |
| “Yes, it was,” said the prince. |
“You there, Gania?” cried a voice from the study, “come in here, will you?”
“A hundred thousand,” replied the latter, almost in a whisper.He panted, and could hardly speak for agitation. He advanced into the room mechanically; but perceiving Nina Alexandrovna and Varia he became more or less embarrassed, in spite of his excitement. His followers entered after him, and all paused a moment at sight of the ladies. Of course their modesty was not fated to be long-lived, but for a moment they were abashed. Once let them begin to shout, however, and nothing on earth should disconcert them.
| “Oh, prince, how strange you have become! I assure you, I hardly know you for your old self. How can you suppose that I ever suggested you could have had a finger in such a business? But you are not quite yourself today, I can see.” He embraced the prince, and kissed him. |
| “Allow me--” |
“My dear, I am quite ready; naturally... the prince.”
The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes.“Religion!--I admit eternal life--and perhaps I always did admit it.
“Don’t go so fast, Lebedeff; you are much milder in the morning,” said Ptitsin, smiling.“Prince,” he began again, “they are rather angry with me, in there, owing to a circumstance which I need not explain, so that I do not care to go in at present without an invitation. I particularly wish to speak to Aglaya, but I have written a few words in case I shall not have the chance of seeing her” (here the prince observed a small note in his hand), “and I do not know how to get my communication to her. Don’t you think you could undertake to give it to her at once, but only to her, mind, and so that no one else should see you give it? It isn’t much of a secret, but still--Well, will you do it?”
“He is sorry for his sins now, prince,” cried Keller. “He did not want to let you know he was here; he was hidden over there in the corner,--but he repents now, he feels his guilt.”
This invitation to drink, couched, as it was, in such informal terms, came very strangely from Nastasia Philipovna. Her usual entertainments were not quite like this; there was more style about them. However, the wine was not refused; each guest took a glass excepting Gania, who drank nothing.
He returned thoughtful and confused; the riddle lay heavier than ever on his soul. He was troubled about the prince, too, and so bewildered that he did not even observe Rogojin’s rowdy band crowd past him and step on his toes, at the door as they went out. They were all talking at once. Rogojin went ahead of the others, talking to Ptitsin, and apparently insisting vehemently upon something very important.| “I only see that Aglaya Ivanovna is laughing at me,” said the poor prince, sadly. |
After this performance, he smiled sweetly and left the room on tiptoe.
“If you insist: but, judge for yourself, can I go, ought I to go?”
| “I know, prince, of course I know, but I’m afraid I shall not carry it out; for to do so one needs a heart like your own. He is so very irritable just now, and so proud. At one moment he will embrace me, and the next he flies out at me and sneers at me, and then I stick the lining forward on purpose. Well, _au revoir_, prince, I see I am keeping you, and boring you, too, interfering with your most interesting private reflections.” |
“That is--where am I going to stay? I--I really don’t quite know yet, I--”
“Well, this matter is important. We are not children--we must look into it thoroughly. Now then, kindly tell me--what does your fortune consist of?”“I bet anything it is!” exclaimed the red-nosed passenger, with extreme satisfaction, “and that he has precious little in the luggage van!--though of course poverty is no crime--we must remember that!”
| “I won’t believe this!” cried the prince. |
“I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.”
“Never told either him or me?” cried Aglaya. “How about your letters? Who asked you to try to persuade me to marry him? Was not that a declaration from you? Why do you force yourself upon us in this way? I confess I thought at first that you were anxious to arouse an aversion for him in my heart by your meddling, in order that I might give him up; and it was only afterwards that I guessed the truth. You imagined that you were doing an heroic action! How could you spare any love for him, when you love your own vanity to such an extent? Why could you not simply go away from here, instead of writing me those absurd letters? Why do you not _now_ marry that generous man who loves you, and has done you the honour of offering you his hand? It is plain enough why; if you marry Rogojin you lose your grievance; you will have nothing more to complain of. You will be receiving too much honour. Evgenie Pavlovitch was saying the other day that you had read too many poems and are too well educated for--your position; and that you live in idleness. Add to this your vanity, and, there you have reason enough--”
“Why, he didn’t die! I’ll ask him for it, if you like.”