“The urchin! the urchin!” interrupted Lizabetha Prokofievna in an angry voice. “I do not want to know if it were Nicolai Ardalionovitch! The urchin!”
Her acquaintances invited her to their “At Homes” because she was so decorative. She was exhibited to their guests like a valuable picture, or vase, or statue, or firescreen. As for the men, Ptitsin was one of Rogojin’s friends; Ferdishenko was as much at home as a fish in the sea, Gania, not yet recovered from his amazement, appeared to be chained to a pillory. The old professor did not in the least understand what was happening; but when he noticed how extremely agitated the mistress of the house, and her friends, seemed, he nearly wept, and trembled with fright: but he would rather have died than leave Nastasia Philipovna at such a crisis, for he loved her as if she were his own granddaughter. Afanasy Ivanovitch greatly disliked having anything to do with the affair, but he was too much interested to leave, in spite of the mad turn things had taken; and a few words that had dropped from the lips of Nastasia puzzled him so much, that he felt he could not go without an explanation. He resolved therefore, to see it out, and to adopt the attitude of silent spectator, as most suited to his dignity. General Epanchin alone determined to depart. He was annoyed at the manner in which his gift had been returned, as though he had condescended, under the influence of passion, to place himself on a level with Ptitsin and Ferdishenko, his self-respect and sense of duty now returned together with a consciousness of what was due to his social rank and official importance. In short, he plainly showed his conviction that a man in his position could have nothing to do with Rogojin and his companions. But Nastasia interrupted him at his first words.
These words caused a sensation among the listeners, and there was a general movement of relief. Burdovsky got up abruptly.
“He is sorry for his sins now, prince,” cried Keller. “He did not want to let you know he was here; he was hidden over there in the corner,--but he repents now, he feels his guilt.”
“Oh, I can’t do that, you know! I shall say something foolish out of pure ‘funk,’ and break something for the same excellent reason; I know I shall. Perhaps I shall slip and fall on the slippery floor; I’ve done that before now, you know. I shall dream of it all night now. Why did you say anything about it?”
The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.
However, I hope I shall not interfere with the proper sequence of my narrative too much, if I diverge for a moment at this point, in order to explain the mutual relations between General Epanchin’s family and others acting a part in this history, at the time when we take up the thread of their destiny. I have already stated that the general, though he was a man of lowly origin, and of poor education, was, for all that, an experienced and talented husband and father. Among other things, he considered it undesirable to hurry his daughters to the matrimonial altar and to worry them too much with assurances of his paternal wishes for their happiness, as is the custom among parents of many grown-up daughters. He even succeeded in ranging his wife on his side on this question, though he found the feat very difficult to accomplish, because unnatural; but the general’s arguments were conclusive, and founded upon obvious facts. The general considered that the girls’ taste and good sense should be allowed to develop and mature deliberately, and that the parents’ duty should merely be to keep watch, in order that no strange or undesirable choice be made; but that the selection once effected, both father and mother were bound from that moment to enter heart and soul into the cause, and to see that the matter progressed without hindrance until the altar should be happily reached.
“But surely this is a joke, Nastasia Philipovna?” asked Totski. “You don’t really mean us to play this game.”
“There, they are all like that,” said Gania, laughing, “just as if I do not know all about it much better than they do.”

“Tell me, why didn’t you put me right when I made such a dreadful mistake just now?” continued the latter, examining the prince from head to foot without the slightest ceremony. She awaited the answer as though convinced that it would be so foolish that she must inevitably fail to restrain her laughter over it.

“Oh no! Never.”

On meeting Colia the prince determined to accompany the general, though he made up his mind to stay as short a time as possible. He wanted Colia, but firmly resolved to leave the general behind. He could not forgive himself for being so simple as to imagine that Ivolgin would be of any use. The three climbed up the long staircase until they reached the fourth floor where Madame Terentieff lived.
“Very well, what next?” said the latter, almost laughing in his face.

“I am going out into the world, Katia; perhaps I shall be a laundress. I don’t know. No more of Afanasy Ivanovitch, anyhow. Give him my respects. Don’t think badly of me, girls.”

“They say that they have come on business, and they are the kind of men, who, if you do not see them here, will follow you about the street. It would be better to receive them, and then you will get rid of them. Gavrila Ardalionovitch and Ptitsin are both there, trying to make them hear reason.”

“I am not surprised at that. After what you... But I do hate that way of looking at things! Because some fool, or a rogue pretending to be a fool, strikes a man, that man is to be dishonoured for his whole life, unless he wipes out the disgrace with blood, or makes his assailant beg forgiveness on his knees! I think that so very absurd and tyrannical. Lermontoff’s Bal Masque is based on that idea--a stupid and unnatural one, in my opinion; but he was hardly more than a child when he wrote it.”

Aglaya alone seemed sad and depressed; her face was flushed, perhaps with indignation.
“Here are twenty-five roubles, Marfa Borisovna... it is all that I can give... and I owe even these to the prince’s generosity--my noble friend. I have been cruelly deceived. Such is... life... Now... Excuse me, I am very weak,” he continued, standing in the centre of the room, and bowing to all sides. “I am faint; excuse me! Lenotchka... a cushion... my dear!”
He turned his head towards her and glanced at her black and (for some reason) flashing eyes, tried to smile, and then, apparently forgetting her in an instant, turned to the right once more, and continued to watch the startling apparition before him.
One of the representatives of the middle-class present today was a colonel of engineers, a very serious man and a great friend of Prince S., who had introduced him to the Epanchins. He was extremely silent in society, and displayed on the forefinger of his right hand a large ring, probably bestowed upon him for services of some sort. There was also a poet, German by name, but a Russian poet; very presentable, and even handsome--the sort of man one could bring into society with impunity. This gentleman belonged to a German family of decidedly bourgeois origin, but he had a knack of acquiring the patronage of “big-wigs,” and of retaining their favour. He had translated some great German poem into Russian verse, and claimed to have been a friend of a famous Russian poet, since dead. (It is strange how great a multitude of literary people there are who have had the advantages of friendship with some great man of their own profession who is, unfortunately, dead.) The dignitary’s wife had introduced this worthy to the Epanchins. This lady posed as the patroness of literary people, and she certainly had succeeded in obtaining pensions for a few of them, thanks to her influence with those in authority on such matters. She was a lady of weight in her own way. Her age was about forty-five, so that she was a very young wife for such an elderly husband as the dignitary. She had been a beauty in her day and still loved, as many ladies of forty-five do love, to dress a little too smartly. Her intellect was nothing to boast of, and her literary knowledge very doubtful. Literary patronage was, however, with her as much a mania as was the love of gorgeous clothes. Many books and translations were dedicated to her by her proteges, and a few of these talented individuals had published some of their own letters to her, upon very weighty subjects.

“Oh! so he kept his word--there’s a man for you! Well, sit down, please--take that chair. I shall have something to say to you presently. Who are all these with you? The same party? Let them come in and sit down. There’s room on that sofa, there are some chairs and there’s another sofa! Well, why don’t they sit down?”

Aglaya was clearly confused, but not frightened. On entering she had merely glanced momentarily at her rival, and then had sat still, with her eyes on the ground, apparently in thought. Once or twice she glanced casually round the room. A shade of disgust was visible in her expression; she looked as though she were afraid of contamination in this place.
The crash, the cry, the sight of the fragments of valuable china covering the carpet, the alarm of the company--what all this meant to the poor prince it would be difficult to convey to the mind of the reader, or for him to imagine.
“Yes, yes, you are quite right again,” said the poor prince, in anguish of mind. “I was wrong, I know. But it was only Aglaya who looked on Nastasia Philipovna so; no one else did, you know.” “Be quiet, be quiet, be quiet, be quiet!” Aglaya struck in, suddenly, seizing his hand in hers, and gazing at him almost in terror.
“Come, come, what does all this mean?” cried Colia beside himself at last. “What is it? What has happened to you? Why don’t you wish to come back home? Why have you gone out of your mind, like this?”
These were the tears of joy and peace and reconciliation. Aglaya was kissing her mother’s lips and cheeks and hands; they were hugging each other in the most ardent way. “Why--is he here?”
“Excuse me,” interrupted Hippolyte, “is not this rather sentimental? You said you wished to come to the point; please remember that it is after nine o’clock.”
She marched towards the door.
The prince blushed and broke off, without finishing what he meant to say.
“It was Nastasia Philipovna,” said the prince; “didn’t you know that? I cannot tell you who her companion was.”
“It’s all nonsense on both sides,” snapped out Varia. “Let them alone, mother.”
“Seeking?”

“The thought steps in, whether one likes it or no, that death is so terrible and so powerful, that even He who conquered it in His miracles during life was unable to triumph over it at the last. He who called to Lazarus, ‘Lazarus, come forth!’ and the dead man lived--He was now Himself a prey to nature and death. Nature appears to one, looking at this picture, as some huge, implacable, dumb monster; or still better--a stranger simile--some enormous mechanical engine of modern days which has seized and crushed and swallowed up a great and invaluable Being, a Being worth nature and all her laws, worth the whole earth, which was perhaps created merely for the sake of the advent of that Being.

“Coming, coming,” said the general. “Son of my old friend--” he was heard muttering as he went down the passage.
But the prince only looked at the bright side; he did not turn the coat and see the shabby lining.

“Good-bye,” said Rogojin, pressing it hard, but quite mechanically.

“Prince, I wish to place myself in a respectable position--I wish to esteem myself--and to--”
“They can’t bake bread anywhere, decently; and they all freeze in their houses, during winter, like a lot of mice in a cellar. At all events, I’ve had a good Russian cry over this poor fellow,” she added, pointing to the prince, who had not recognized her in the slightest degree. “So enough of this nonsense; it’s time we faced the truth. All this continental life, all this Europe of yours, and all the trash about ‘going abroad’ is simply foolery, and it is mere foolery on our part to come. Remember what I say, my friend; you’ll live to agree with me yourself.”
“I determined to die at Pavlofsk at sunrise, in the park--so as to make no commotion in the house.
The outburst was so terribly violent that the prince thought it would have killed her.
“Oh, there is no reason, of course, and I suppose there is nothing in common between us, or very little; for if I am Prince Muishkin, and your wife happens to be a member of my house, that can hardly be called a ‘reason.’ I quite understand that. And yet that was my whole motive for coming. You see I have not been in Russia for four years, and knew very little about anything when I left. I had been very ill for a long time, and I feel now the need of a few good friends. In fact, I have a certain question upon which I much need advice, and do not know whom to go to for it. I thought of your family when I was passing through Berlin. ‘They are almost relations,’ I said to myself, ‘so I’ll begin with them; perhaps we may get on with each other, I with them and they with me, if they are kind people;’ and I have heard that you are very kind people!”

“He may not be home for a week.”

“Oh no, oh no!” said the prince; “I couldn’t, you know--my illness--I hardly ever saw a soul.”
This injunction had to be repeated several times before the man could be persuaded to move. Even then he turned back at the door, came as far as the middle of the room, and there went through his mysterious motions designed to convey the suggestion that the prince should open the letter. He did not dare put his suggestion into words again.
The general gazed at his host disdainfully. This gentleman now approached the prince slowly, and with a most courteous smile; silently took his hand and held it in his own, as he examined the prince’s features as though searching for familiar traits therein. The prince gazed into his face with pleasure, but still seemed to have no power to speak. His breath failed him. The old man’s face pleased him greatly.
“Wait,” interrupted the prince. “I asked both the porter and the woman whether Nastasia Philipovna had spent last night in the house; so they knew--”
“It only remains for me, then, to thank Nastasia Philipovna for the great delicacy with which she has treated me,” said Gania, as pale as death, and with quivering lips. “That is my plain duty, of course; but the prince--what has he to do in the matter?”

“And I have heard of _you_,” continued the prince, addressing Ivan Petrovitch, “that when some of your villagers were burned out you gave them wood to build up their houses again, though they were no longer your serfs and had behaved badly towards you.”

“You say you have been happy, and that proves you have lived, not less, but more than other people. Why make all these excuses?” interrupted Aglaya in a mocking tone of voice. “Besides, you need not mind about lecturing us; you have nothing to boast of. With your quietism, one could live happily for a hundred years at least. One might show you the execution of a felon, or show you one’s little finger. You could draw a moral from either, and be quite satisfied. That sort of existence is easy enough.”

“Oh dear, yes!”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
The prince seemed to be considering the suggestion.
Yet all the others were similarly affected. The girls were uncomfortable and ashamed. Lizabetha Prokofievna restrained her violent anger by a great effort; perhaps she bitterly regretted her interference in the matter; for the present she kept silence. The prince felt as very shy people often do in such a case; he was so ashamed of the conduct of other people, so humiliated for his guests, that he dared not look them in the face. Ptitsin, Varia, Gania, and Lebedeff himself, all looked rather confused. Stranger still, Hippolyte and the “son of Pavlicheff” also seemed slightly surprised, and Lebedeff’s nephew was obviously far from pleased. The boxer alone was perfectly calm; he twisted his moustaches with affected dignity, and if his eyes were cast down it was certainly not in confusion, but rather in noble modesty, as if he did not wish to be insolent in his triumph. It was evident that he was delighted with the article.
“I have only retired for a time,” said he, laughing. “For a few months; at most for a year.”
“Nothing. I only thought I--”
“Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so beautiful that one is afraid to look at you.”

“They are Nihilists, are they not?”

“Confess that you are pleased to have read it.”
“Just a couple of words!” whispered another voice in the prince’s other ear, and another hand took his other arm. Muishkin turned, and to his great surprise observed a red, flushed face and a droll-looking figure which he recognized at once as that of Ferdishenko. Goodness knows where he had turned up from!
“Well?”

The amiable and undoubtedly witty Prince N. could not but feel that he was as a sun, risen for one night only to shine upon the Epanchin drawing-room. He accounted them immeasurably his inferiors, and it was this feeling which caused his special amiability and delightful ease and grace towards them. He knew very well that he must tell some story this evening for the edification of the company, and led up to it with the inspiration of anticipatory triumph.

“On the contrary, he seems to be very well brought up. His manners are excellent--but here he is himself. Here you are, prince--let me introduce you, the last of the Muishkins, a relative of your own, my dear, or at least of the same name. Receive him kindly, please. They’ll bring in lunch directly, prince; you must stop and have some, but you must excuse me. I’m in a hurry, I must be off--”