“Do not despair. I think we may say without fear of deceiving ourselves, that you have now given a fairly exact account of your life. I, at least, think it would be impossible to add much to what you have just told me.”
“There! that is what I feared!” cried the prince. “It was inevitable!”| “Well, have you finished?” said Lizabetha Prokofievna to Evgenie. “Make haste, sir; it is time he went to bed. Have you more to say?” She was very angry. |
| “When you rang the bell this morning I thought it must be you. I went to the door on tip-toe and heard you talking to the servant opposite. I had told her before that if anyone came and rang--especially you, and I gave her your name--she was not to tell about me. Then I thought, what if he goes and stands opposite and looks up, or waits about to watch the house? So I came to this very window, looked out, and there you were staring straight at me. That’s how it came about.” |
“Yes, it’s quite true, isn’t it?” cried the general, his eyes sparkling with gratification. “A small boy, a child, would naturally realize no danger; he would shove his way through the crowds to see the shine and glitter of the uniforms, and especially the great man of whom everyone was speaking, for at that time all the world had been talking of no one but this man for some years past. The world was full of his name; I--so to speak--drew it in with my mother’s milk. Napoleon, passing a couple of paces from me, caught sight of me accidentally. I was very well dressed, and being all alone, in that crowd, as you will easily imagine...”
All this caused the general to look grave and important. But, alas! this agreeable state of affairs very soon changed once more.“No, no! I have my reasons for wishing them not to suspect us of being engaged in any specially important conversation. There are gentry present who are a little too much interested in us. You are not aware of that perhaps, prince? It will be a great deal better if they see that we are friendly just in an ordinary way. They’ll all go in a couple of hours, and then I’ll ask you to give me twenty minutes--half an hour at most.”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
As for his red-nosed neighbour, the latter--since the information as to the identity of Rogojin--hung over him, seemed to be living on the honey of his words and in the breath of his nostrils, catching at every syllable as though it were a pearl of great price.“I never said you were Rogojin’s mistress--you are _not!_” said the prince, in trembling accents.
“Ferdishenko--either tell us your story, or be quiet, and mind your own business. You exhaust all patience,” cuttingly and irritably remarked Nastasia Philipovna.
He said the last words nervously.
| “Then why did--” |
| “Well, there are three left, then--Keller firstly. He is a drunkard to begin with, and a liberal (in the sense of other people’s pockets), otherwise with more of the ancient knight about him than of the modern liberal. He was with the sick man at first, but came over afterwards because there was no place to lie down in the room and the floor was so hard.” |
“Oh! that’s enough in all conscience! Pray for whom you choose, and the devil take them and you! We have a scholar here; you did not know that, prince?” he continued, with a sneer. “He reads all sorts of books and memoirs now.”
| “What are you doing? Where are you going to? You can’t let him go now; if you do he’ll go and do something worse.” |
He leaped into the carriage after Nastasia and banged the door. The coachman did not hesitate a moment; he whipped up the horses, and they were off.
Only the prince stopped behind for a moment, as though in indecision; and Evgenie Pavlovitch lingered too, for he had not collected his scattered wits. But the Epanchins had not had time to get more than twenty paces away when a scandalous episode occurred. The young officer, Evgenie Pavlovitch’s friend who had been conversing with Aglaya, said aloud in a great state of indignation:“No; I shall not be ashamed of that. You did not so live by your own will.”
Colia was right; the Epanchin ladies were only a few steps behind him. As they approached the terrace other visitors appeared from Lebedeff’s side of the house--the Ptitsins, Gania, and Ardalion Alexandrovitch. “Was it not you, then, who sent a letter a year or less ago--from Switzerland, I think it was--to Elizabetha Prokofievna (Mrs. Epanchin)?”| There he lay on the carpet, and someone quickly placed a cushion under his head. |
“Bring it by all means; you needn’t ask him. He will be delighted, you may be sure; for, in all probability, he shot at himself simply in order that I might read his confession. Don’t laugh at what I say, please, Lef Nicolaievitch, because it may very well be the case.”
| “If”--she began, looking seriously and even sadly at him--“if when I read you all that about the ‘poor knight,’ I wished to-to praise you for one thing--I also wished to show you that I knew all--and did not approve of your conduct.” |