| Gania looked dreadfully put out, and tried to say something in reply, but Nastasia interrupted him: |
| “And that’s why you trust him, eh? So I should have supposed. Good Lord, was there ever such a man as you? Tfu! and are you aware, sir, that this Gania, or his sister Varia, have brought her into correspondence with Nastasia Philipovna?” |
| “Wait! What do you intend to do now, Parfen?” |
| “I love you, Aglaya Ivanovna,--I love you very much. I love only you--and--please don’t jest about it, for I do love you very much.” |
“Come, that’s a little _too_ strong, isn’t it?” murmured the old man, glancing at General Epanchin in surprise.
“Nonsense, what rubbish you talk!” the mother struck in. “Not know how to see! Open your eyes and look! If you can’t see here, you won’t see abroad either. Tell us what you saw yourself, prince!”
“Yes, quite so. I wished to ask you whether you could show me the way to Nastasia Philipovna’s tonight. I must go; I have business with her; I was not invited but I was introduced. Anyhow I am ready to trespass the laws of propriety if only I can get in somehow or other.”
“How do you make out that the Roman Catholic religion is _unchristian?_ What is it, then?” asked Ivan Petrovitch, turning to the prince.
“Thank you, general; you have behaved very kindly to me; all the more so since I did not ask you to help me. I don’t say that out of pride. I certainly did not know where to lay my head tonight. Rogojin asked me to come to his house, of course, but--”
Next moment he was absolutely unconscious; black darkness blotted out everything.
“How he could hate me and tell scandalous stories about me, living among children as he did, is what I cannot understand. Children soothe and heal the wounded heart. I remember there was one poor fellow at our professor’s who was being treated for madness, and you have no idea what those children did for him, eventually. I don’t think he was mad, but only terribly unhappy. But I’ll tell you all about him another day. Now I must get on with this story.
| The general felt troubled and remained silent, while Lizabetha Prokofievna telegraphed to him from behind Aglaya to ask no questions. |
| “Nastasia Philipovna? She does not live there, and to tell you the truth my father has never been to her house! It is strange that you should have depended on him! She lives near Wladimir Street, at the Five Corners, and it is quite close by. Will you go directly? It is just half-past nine. I will show you the way with pleasure.” |
Arrived at the point where the Gorohovaya crosses the Sadovaya, he was surprised to find how excessively agitated he was. He had no idea that his heart could beat so painfully.
“Did you go before Lizabetha Prokofievna in your present condition?” inquired the prince.
Meanwhile all these people--though friends of the family and of each other to a certain extent--were very far from being such intimate friends of the family and of each other as the prince concluded. There were some present who never would think of considering the Epanchins their equals. There were even some who hated one another cordially. For instance, old Princess Bielokonski had all her life despised the wife of the “dignitary,” while the latter was very far from loving Lizabetha Prokofievna. The dignitary himself had been General Epanchin’s protector from his youth up; and the general considered him so majestic a personage that he would have felt a hearty contempt for himself if he had even for one moment allowed himself to pose as the great man’s equal, or to think of him--in his fear and reverence--as anything less than an Olympic God! There were others present who had not met for years, and who had no feeling whatever for each other, unless it were dislike; and yet they met tonight as though they had seen each other but yesterday in some friendly and intimate assembly of kindred spirits.
“How am I to respect you, if that’s the case? Read on now. No--don’t! Stop reading!”
“It’s all a joke, mamma; it’s just a joke like the ‘poor knight’--nothing more whatever, I assure you!” Alexandra whispered in her ear. “She is chaffing him--making a fool of him, after her own private fashion, that’s all! But she carries it just a little too far--she is a regular little actress. How she frightened us just now--didn’t she?--and all for a lark!”
It was “heads.”
“Well, anyone who does not interest himself in questions such as this is, in my opinion, a mere fashionable dummy.”
“Ye-yes!” replied Rogojin, starting at the unexpected question.
“Of what? Apologizing, eh? And where on earth did I get the idea that you were an idiot? You always observe what other people pass by unnoticed; one could talk sense to you, but--”
“No, sir, I do not exaggerate, I understate the matter, if anything, undoubtedly understate it; simply because I cannot express myself as I should like, but--”
| “There is plenty of room here.” |
“No?”
| I cannot say, either, whether she showed the letter to her sisters. |
“I don’t believe it! It’s impossible! What object could they have?” He jumped up from his chair in his excitement.
This last item of news, which disturbed Lizabetha Prokofievna more than anything else, was perfectly true. On leaving Nastasia’s, Aglaya had felt that she would rather die than face her people, and had therefore gone straight to Nina Alexandrovna’s. On receiving the news, Lizabetha and her daughters and the general all rushed off to Aglaya, followed by Prince Lef Nicolaievitch--undeterred by his recent dismissal; but through Varia he was refused a sight of Aglaya here also. The end of the episode was that when Aglaya saw her mother and sisters crying over her and not uttering a word of reproach, she had flung herself into their arms and gone straight home with them.
“Here they are,” said Rogojin, after a still longer pause.
V.
“I am telling you the truth,” said the prince in his former composed tone of voice; “and believe me, I am extremely sorry that the circumstance should have made such an unpleasant impression upon you!”
“Funny girl, Aglaya,” she observed, after a pause. “When she left me she said, ‘Give my special and personal respects to your parents; I shall certainly find an opportunity to see your father one day,’ and so serious over it. She’s a strange creature.”
He only stayed at his country seat a few days on this occasion, but he had time to make his arrangements. Great changes took place in the child’s education; a good governess was engaged, a Swiss lady of experience and culture. For four years this lady resided in the house with little Nastia, and then the education was considered complete. The governess took her departure, and another lady came down to fetch Nastia, by Totski’s instructions. The child was now transported to another of Totski’s estates in a distant part of the country. Here she found a delightful little house, just built, and prepared for her reception with great care and taste; and here she took up her abode together with the lady who had accompanied her from her old home. In the house there were two experienced maids, musical instruments of all sorts, a charming “young lady’s library,” pictures, paint-boxes, a lap-dog, and everything to make life agreeable. Within a fortnight Totski himself arrived, and from that time he appeared to have taken a great fancy to this part of the world and came down each summer, staying two and three months at a time. So passed four years peacefully and happily, in charming surroundings.
“How pale you have grown!” cried Aglaya in alarm.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“With the greatest respect... and... and veneration,” replied Lebedeff, making extraordinary grimaces.
| As he kept jumping from subject to subject, and forgetting what he had begun to talk about, the prince said nothing, but waited, to give him time. |
So at the risk of missing General Epanchin altogether, and thus postponing his visit to Pavlofsk for a day, at least, the prince decided to go and look for the house he desired to find.
He had been turned out in disgrace, eventually, and this was the cause of his bad night and quarrelsome day, which ended in his sudden departure into the street in a condition approaching insanity, as recorded before.
The lady of the house appeared to be a woman of about fifty years of age, thin-faced, and with black lines under the eyes. She looked ill and rather sad; but her face was a pleasant one for all that; and from the first word that fell from her lips, any stranger would at once conclude that she was of a serious and particularly sincere nature. In spite of her sorrowful expression, she gave the idea of possessing considerable firmness and decision.
| He stopped for a moment at the door; a great flush of shame came over him. “I am a coward, a wretched coward,” he said, and moved forward again; but once more he paused. |
| “Well, it’s too bad of you,” said mamma. “You must forgive them, prince; they are good girls. I am very fond of them, though I often have to be scolding them; they are all as silly and mad as march hares.” |
“Oh! I _know_ you haven’t read it, and that you could never be that man’s accomplice. Read it, I wish you to read it.”
“A great disgrace.”
The prince took his banknote out and showed it to Ferdishenko. The latter unfolded it and looked at it; then he turned it round and examined the other side; then he held it up to the light.
As to the rest, one was a man of thirty, the retired officer, now a boxer, who had been with Rogojin, and in his happier days had given fifteen roubles at a time to beggars. Evidently he had joined the others as a comrade to give them moral, and if necessary material, support. The man who had been spoken of as “Pavlicheff’s son,” although he gave the name of Antip Burdovsky, was about twenty-two years of age, fair, thin and rather tall. He was remarkable for the poverty, not to say uncleanliness, of his personal appearance: the sleeves of his overcoat were greasy; his dirty waistcoat, buttoned up to his neck, showed not a trace of linen; a filthy black silk scarf, twisted till it resembled a cord, was round his neck, and his hands were unwashed. He looked round with an air of insolent effrontery. His face, covered with pimples, was neither thoughtful nor even contemptuous; it wore an expression of complacent satisfaction in demanding his rights and in being an aggrieved party. His voice trembled, and he spoke so fast, and with such stammerings, that he might have been taken for a foreigner, though the purest Russian blood ran in his veins. Lebedeff’s nephew, whom the reader has seen already, accompanied him, and also the youth named Hippolyte Terentieff. The latter was only seventeen or eighteen. He had an intelligent face, though it was usually irritated and fretful in expression. His skeleton-like figure, his ghastly complexion, the brightness of his eyes, and the red spots of colour on his cheeks, betrayed the victim of consumption to the most casual glance. He coughed persistently, and panted for breath; it looked as though he had but a few weeks more to live. He was nearly dead with fatigue, and fell, rather than sat, into a chair. The rest bowed as they came in; and being more or less abashed, put on an air of extreme self-assurance. In short, their attitude was not that which one would have expected in men who professed to despise all trivialities, all foolish mundane conventions, and indeed everything, except their own personal interests.
“I was afraid,” he muttered, scarcely audibly, “but I hardly thought it would come to this.” Then after a short silence, he added: “However, in her state, it is quite consistent with the natural order of things.”
When the widow hurried away to Pavlofsk, she went straight to Daria Alexeyevna’s house, and telling all she knew, threw her into a state of great alarm. Both ladies decided to communicate at once with Lebedeff, who, as the friend and landlord of the prince, was also much agitated. Vera Lebedeff told all she knew, and by Lebedeff’s advice it was decided that all three should go to Petersburg as quickly as possible, in order to avert “what might so easily happen.”
“PR. L. MUISHKIN.”
“Yes, I did; I am thinking of it.”
She walked past the orchestra, to where an open carriage was waiting, near the road.
“Well?” cried the prince.
“I see you are ashamed of me, Evgenie Pavlovitch; you are blushing for me; that’s a sign of a good heart. Don’t be afraid; I shall go away directly.”
“There, prince,” said she, “there’s my album. Now choose a page and write me something, will you? There’s a pen, a new one; do you mind a steel one? I have heard that you caligraphists don’t like steel pens.”
| “He discovered everything, the monster... himself......” |
“Lvovitch,” repeated the general without the slightest haste, and with perfect confidence, just as though he had not committed himself the least in the world, but merely made a little slip of the tongue. He sat down, and taking the prince’s hand, drew him to a seat next to himself.
“But I really don’t know which of my actions is the worst,” said the lively actress.
“Why?”
“After--it was about twelve o’clock.”
He was particularly anxious that this one day should be passed--especially the evening--without unpleasantness between himself and his family; and just at the right moment the prince turned up--“as though Heaven had sent him on purpose,” said the general to himself, as he left the study to seek out the wife of his bosom.
“Then I will never speak to you again.” She made a sudden movement to go, and then turned quickly back. “And you will call on that atheist?” she continued, pointing to Hippolyte. “How dare you grin at me like that?” she shouted furiously, rushing at the invalid, whose mocking smile drove her to distraction.
Lizabetha Prokofievna was about to rise, when she saw Hippolyte laughing, and turned upon him with irritation.