“He declares that your humbug of a landlord revised this gentleman’s

“Forgive a silly, horrid, spoilt girl”--(she took his hand here)--“and be quite assured that we all of us esteem you beyond all words. And if I dared to turn your beautiful, admirable simplicity to ridicule, forgive me as you would a little child its mischief. Forgive me all my absurdity of just now, which, of course, meant nothing, and could not have the slightest consequence.” She spoke these words with great emphasis.

“Then for a day and a half I neither slept, nor ate, nor drank, and would not leave her. I knelt at her feet: ‘I shall die here,’ I said, ‘if you don’t forgive me; and if you have me turned out, I shall drown myself; because, what should I be without you now?’ She was like a madwoman all that day; now she would cry; now she would threaten me with a knife; now she would abuse me. She called in Zaleshoff and Keller, and showed me to them, shamed me in their presence. ‘Let’s all go to the theatre,’ she says, ‘and leave him here if he won’t go--it’s not my business. They’ll give you some tea, Parfen Semeonovitch, while I am away, for you must be hungry.’ She came back from the theatre alone. ‘Those cowards wouldn’t come,’ she said. ‘They are afraid of you, and tried to frighten me, too. “He won’t go away as he came,” they said, “he’ll cut your throat--see if he doesn’t.” Now, I shall go to my bedroom, and I shall not even lock my door, just to show you how much I am afraid of you. You must be shown that once for all. Did you have tea?’ ‘No,’ I said, ‘and I don’t intend to.’ ‘Ha, ha! you are playing off your pride against your stomach! That sort of heroism doesn’t sit well on you,’ she said.

Mrs. Epanchin could bear her suspense no longer, and in spite of the opposition of husband and daughters, she sent for Aglaya, determined to get a straightforward answer out of her, once for all.

“Really, mother,” he had assured Nina Alexandrovna upstairs, “really you had better let him drink. He has not had a drop for three days; he must be suffering agonies--” The general now entered the room, threw the door wide open, and stood on the threshold trembling with indignation.

“She’s here,” replied Rogojin, slowly, after a slight pause.

But when she had read it herself once more, it suddenly struck her that surely that conceited boy, Colia, had not been the one chosen correspondent of the prince all this while. She determined to ask him, and did so with an exaggerated show of carelessness. He informed her haughtily that though he had given the prince his permanent address when the latter left town, and had offered his services, the prince had never before given him any commission to perform, nor had he written until the following lines arrived, with Aglaya’s letter. Aglaya took the note, and read it.

“Who said that, Colia?”

Five seconds after the disappearance of the last actor in this scene, the police arrived. The whole episode had not lasted more than a couple of minutes. Some of the spectators had risen from their places, and departed altogether; some merely exchanged their seats for others a little further off; some were delighted with the occurrence, and talked and laughed over it for a long time.

“Send Feodor or Alexey up by the very first train to buy a copy, then.--Aglaya, come here--kiss me, dear, you recited beautifully! but,” she added in a whisper, “if you were sincere I am sorry for you. If it was a joke, I do not approve of the feelings which prompted you to do it, and in any case you would have done far better not to recite it at all. Do you understand?--Now come along, young woman; we’ve sat here too long. I’ll speak to you about this another time.”

“I am very sorry; I was not thinking at the time. I merely said that Aglaya was almost as beautiful as Nastasia Philipovna.”

“What did you suppose, then? Why did you think I invited you out here? I suppose you think me a ‘little fool,’ as they all call me at home?”

The prince and the general were the only two persons left in the room.

“Do you like the position of it? Sometimes of a morning early, at seven o’clock, when all the rest are still asleep, I come out and sit there alone.”

Gania having once descended to abuse, and receiving no check, very soon knew no bounds or limit to his licence, as is often the way in such cases. His rage so blinded him that he had not even been able to detect that this “idiot,” whom he was abusing to such an extent, was very far from being slow of comprehension, and had a way of taking in an impression, and afterwards giving it out again, which was very un-idiotic indeed. But something a little unforeseen now occurred.

“I have waited for you with the greatest impatience (not that you were worth it). Every night I have drenched my pillow with tears, not for you, my friend, not for you, don’t flatter yourself! I have my own grief, always the same, always the same. But I’ll tell you why I have been awaiting you so impatiently, because I believe that Providence itself sent you to be a friend and a brother to me. I haven’t a friend in the world except Princess Bielokonski, and she is growing as stupid as a sheep from old age. Now then, tell me, yes or no? Do you know why she called out from her carriage the other night?”

“What of that? People will say anything,” said Rogojin drily.

“What’s the matter?” asked Aglaya, in a whisper, giving his sleeve a little tug.

“Do you mean especially this kind?”

“I didn’t mean that; at least, of course, I’m glad for your sake, too,” added the prince, correcting himself, “but--how did you find it?”

“Yes--I nearly was,” whispered the prince, hanging his head.

Our friend, Gania, belonged to the other class--to the “much cleverer” persons, though he was from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the “clever commonplace” person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens;--his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle,--and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality).

The general grew purple with anger.

“Yes; I feel quite ill. I have been obliged to put on this shawl--I feel so cold,” replied Nastasia. She certainly had grown very pale, and every now and then she tried to suppress a trembling in her limbs.

One way or the other the question was to be decided at last--finally. “Well, have you finished your silly joke?” she added, “and am I to be told what this ‘poor knight’ means, or is it a solemn secret which cannot be approached lightly?”

“Well, leave your hotel at once and come here; then we can all go together to Pavlofsk the day after tomorrow.”

“They are Nihilists, are they not?”

“Yes, it shows delicacy and intelligence on your part.” “Oh, I dare say one can; but you had better be calm and lie down, Hippolyte--that’s much more important.”

It was about eleven o’clock in the forenoon when the prince rang the bell at General Epanchin’s door. The general lived on the first floor or flat of the house, as modest a lodging as his position permitted. A liveried servant opened the door, and the prince was obliged to enter into long explanations with this gentleman, who, from the first glance, looked at him and his bundle with grave suspicion. At last, however, on the repeated positive assurance that he really was Prince Muishkin, and must absolutely see the general on business, the bewildered domestic showed him into a little ante-chamber leading to a waiting-room that adjoined the general’s study, there handing him over to another servant, whose duty it was to be in this ante-chamber all the morning, and announce visitors to the general. This second individual wore a dress coat, and was some forty years of age; he was the general’s special study servant, and well aware of his own importance.

“I don’t know--I dreamed last night that I was being suffocated with a wet cloth by--somebody. I’ll tell you who it was--Rogojin! What do you think, can a man be suffocated with a wet cloth?”

One day, however, he and Lizabetha Prokofievna quarrelled seriously about the “woman question,” in the course of a lively discussion on that burning subject. He told her that she was a tyrant, and that he would never set foot in her house again. It may seem incredible, but a day or two after, Madame Epanchin sent a servant with a note begging him to return, and Colia, without standing on his dignity, did so at once. “This letter cannot be allowed to remain in your hands.”

“I’m all right,” said Varia, in a tone that sounded as though she were all wrong.

“H’m! yes, that’s true enough. Well now, how is the law over there, do they administer it more justly than here?”

“If I had had the power to prevent my own birth I should certainly never have consented to accept existence under such ridiculous conditions. However, I have the power to end my existence, although I do but give back days that are already numbered. It is an insignificant gift, and my revolt is equally insignificant.

“Nor do I! They always try to bury me underground when there’s anything going on; they don’t seem to reflect that it is unpleasant to a man to be treated so! I won’t stand it! We have just had a terrible scene!--mind, I speak to you as I would to my own son! Aglaya laughs at her mother. Her sisters guessed about Evgenie having proposed and been rejected, and told Lizabetha.

“Prince! ex-ex-excellency!” he stammered. Then suddenly he ran towards the girl with the infant, a movement so unexpected by her that she staggered and fell back, but next moment he was threatening the other child, who was standing, still laughing, in the doorway. She screamed, and ran towards the kitchen. Lebedeff stamped his foot angrily; then, seeing the prince regarding him with amazement, he murmured apologetically--“Pardon to show respect!... he-he!”

“He is sorry for his sins now, prince,” cried Keller. “He did not want to let you know he was here; he was hidden over there in the corner,--but he repents now, he feels his guilt.”

So ended Aglaya; and, to look at her, it was difficult, indeed, to judge whether she was joking or in earnest. Oh, how frightened he was of looking to one side--one particular corner--whence he knew very well that a pair of dark eyes were watching him intently, and how happy he was to think that he was once more among them, and occasionally hearing that well-known voice, although she had written and forbidden him to come again!

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

“What are you thinking of? Don’t go, he’ll blow his brains out in a minute!” cried Vera Lebedeff, rushing up to Hippolyte and catching hold of his hands in a torment of alarm. “What are you thinking of? He said he would blow his brains out at sunrise.”

“He said that those five minutes seemed to him to be a most interminable period, an enormous wealth of time; he seemed to be living, in these minutes, so many lives that there was no need as yet to think of that last moment, so that he made several arrangements, dividing up the time into portions--one for saying farewell to his companions, two minutes for that; then a couple more for thinking over his own life and career and all about himself; and another minute for a last look around. He remembered having divided his time like this quite well. While saying good-bye to his friends he recollected asking one of them some very usual everyday question, and being much interested in the answer. Then having bade farewell, he embarked upon those two minutes which he had allotted to looking into himself; he knew beforehand what he was going to think about. He wished to put it to himself as quickly and clearly as possible, that here was he, a living, thinking man, and that in three minutes he would be nobody; or if somebody or something, then what and where? He thought he would decide this question once for all in these last three minutes. A little way off there stood a church, and its gilded spire glittered in the sun. He remembered staring stubbornly at this spire, and at the rays of light sparkling from it. He could not tear his eyes from these rays of light; he got the idea that these rays were his new nature, and that in three minutes he would become one of them, amalgamated somehow with them.

“Why, how strange!” he ejaculated. “You didn’t answer me seriously, surely, did you?”

The general was much astonished.

She was silent a moment to get breath, and to recover her composure.

“There was no Eropegoff? Eroshka Eropegoff?” he cried, suddenly, stopping in the road in a frenzy. “No Eropegoff! And my own son to say it! Eropegoff was in the place of a brother to me for eleven months. I fought a duel for him. He was married afterwards, and then killed on the field of battle. The bullet struck the cross on my breast and glanced off straight into his temple. ‘I’ll never forget you,’ he cried, and expired. I served my country well and honestly, Colia, but shame, shame has pursued me! You and Nina will come to my grave, Colia; poor Nina, I always used to call her Nina in the old days, and how she loved.... Nina, Nina, oh, Nina. What have I ever done to deserve your forgiveness and long-suffering? Oh, Colia, your mother has an angelic spirit, an angelic spirit, Colia!”

“Oh--I didn’t like to disturb you, prince, in the midst of your private and doubtless most interesting personal reflections. Besides, I wanted to appear, myself, to have found nothing. I took the purse, and opened it, and counted the money, and shut it and put it down again under the chair.”

To the amazement of the prince, who overheard the remark, Aglaya looked haughtily and inquiringly at the questioner, as though she would give him to know, once for all, that there could be no talk between them about the ‘poor knight,’ and that she did not understand his question.

The note was written and folded anyhow, evidently in a great hurry, and probably just before Aglaya had come down to the verandah.

“Because he _didn’t_ exist--never could and never did--there! You’d better drop the subject, I warn you!”

“GAVRILA ARDOLIONOVITCH,--persuaded of your kindness of heart, I have determined to ask your advice on a matter of great importance to myself. I should like to meet you tomorrow morning at seven o’clock by the green bench in the park. It is not far from our house. Varvara Ardalionovna, who must accompany you, knows the place well.

Aglaya sat with her eyes on the ground; she seemed to have alarmed even herself by what she had said.

“Listen--I know it is best not to speak! It is best simply to give a good example--simply to begin the work. I have done this--I have begun, and--and--oh! _can_ anyone be unhappy, really? Oh! what does grief matter--what does misfortune matter, if one knows how to be happy? Do you know, I cannot understand how anyone can pass by a green tree, and not feel happy only to look at it! How anyone can talk to a man and not feel happy in loving him! Oh, it is my own fault that I cannot express myself well enough! But there are lovely things at every step I take--things which even the most miserable man must recognize as beautiful. Look at a little child--look at God’s day dawn--look at the grass growing--look at the eyes that love you, as they gaze back into your eyes!”

“Quite true! Much better to go in half an hour or so,” said Mrs. Epanchin.

“I knew it, but I have a right. I... I...” stammered the “son of Pavlicheff.”

But, besides the above, we are cognizant of certain other undoubted facts, which puzzle us a good deal because they seem flatly to contradict the foregoing.

The prince thought a moment. Then he pulled out of his waistcoat pocket an untidy slip of paper, on which was scrawled:

“Here are twenty-five roubles, Marfa Borisovna... it is all that I can give... and I owe even these to the prince’s generosity--my noble friend. I have been cruelly deceived. Such is... life... Now... Excuse me, I am very weak,” he continued, standing in the centre of the room, and bowing to all sides. “I am faint; excuse me! Lenotchka... a cushion... my dear!”

“Where?” “What on earth is one to make of a girl like that?” said Varia.

“Can’t you even load a pistol?”

Gavrila Ardalionovitch meanwhile seemed to be trying to recall something.

Lebedeff bowed low. “It is the truth,” he replied, with extreme respect.

And I, your excellency, am the ass.”

Gania glanced inquiringly at the speaker.

As he kept jumping from subject to subject, and forgetting what he had begun to talk about, the prince said nothing, but waited, to give him time.

“How much?”

“‘Write, oh, write a letter to the Empress Josephine!’ I cried, sobbing. Napoleon started, reflected, and said, ‘You remind me of a third heart which loves me. Thank you, my friend;’ and then and there he sat down and wrote that letter to Josephine, with which Constant was sent off next day.”

Arrived on the opposite pavement, he looked back to see whether the prince were moving, waved his hand in the direction of the Gorohovaya, and strode on, looking across every moment to see whether Muishkin understood his instructions. The prince supposed that Rogojin desired to look out for someone whom he was afraid to miss; but if so, why had he not told _him_ whom to look out for? So the two proceeded for half a mile or so. Suddenly the prince began to tremble from some unknown cause. He could not bear it, and signalled to Rogojin across the road.

It was the first time they had met since the encounter on the staircase at the hotel.

The neighbours undoubtedly did hear. Varia rushed out of the room.

“Yes, my bones, I--”

The prince commended his aspirations with warmth.

“He is a strange boy, thoughtless, and inclined to be indiscreet.”

Gania was so much relieved that he gazed at his mother almost affectionately.

“At last he began to mount the steps; his legs were tied, so that he had to take very small steps. The priest, who seemed to be a wise man, had stopped talking now, and only held the cross for the wretched fellow to kiss. At the foot of the ladder he had been pale enough; but when he set foot on the scaffold at the top, his face suddenly became the colour of paper, positively like white notepaper. His legs must have become suddenly feeble and helpless, and he felt a choking in his throat--you know the sudden feeling one has in moments of terrible fear, when one does not lose one’s wits, but is absolutely powerless to move? If some dreadful thing were suddenly to happen; if a house were just about to fall on one;--don’t you know how one would long to sit down and shut one’s eyes and wait, and wait? Well, when this terrible feeling came over him, the priest quickly pressed the cross to his lips, without a word--a little silver cross it was--and he kept on pressing it to the man’s lips every second. And whenever the cross touched his lips, the eyes would open for a moment, and the legs moved once, and he kissed the cross greedily, hurriedly--just as though he were anxious to catch hold of something in case of its being useful to him afterwards, though he could hardly have had any connected religious thoughts at the time. And so up to the very block.

“Well!--and what’s the meaning of the ‘poor knight,’ eh?”

“Well--how am I to explain? He was very anxious that we should all come around him, and say we were so sorry for him, and that we loved him very much, and all that; and that we hoped he wouldn’t kill himself, but remain alive. Very likely he thought more of you than the rest of us, because he mentioned you at such a moment, though perhaps he did not know himself that he had you in his mind’s eye.”

“He does not know of it; I have kept it a secret. Very well, Ferdishenko went off to Wilkin’s. That is not so curious in itself, but here the evidence opens out further. He left his address, you see, when he went. Now prince, consider, why did he leave his address? Why do you suppose he went out of his way to tell Colia that he had gone to Wilkin’s? Who cared to know that he was going to Wilkin’s? No, no! prince, this is finesse, thieves’ finesse! This is as good as saying, ‘There, how can I be a thief when I leave my address? I’m not concealing my movements as a thief would.’ Do you understand, prince?”

“Well, turn him out!”

“Wait,” interrupted the prince. “I asked both the porter and the woman whether Nastasia Philipovna had spent last night in the house; so they knew--”

“And, meanwhile both his legs are still on his body,” said the prince, laughing. “I assure you, it is only an innocent joke, and you need not be angry about it.”

“The cleverest in the world,” interrupted his uncle hastily.

“It is my mother’s. You get to her apartments by that passage.”

When Totski had approached the general with his request for friendly counsel as to a marriage with one of his daughters, he had made a full and candid confession. He had said that he intended to stop at no means to obtain his freedom; even if Nastasia were to promise to leave him entirely alone in future, he would not (he said) believe and trust her; words were not enough for him; he must have solid guarantees of some sort. So he and the general determined to try what an attempt to appeal to her heart would effect. Having arrived at Nastasia’s house one day, with Epanchin, Totski immediately began to speak of the intolerable torment of his position. He admitted that he was to blame for all, but candidly confessed that he could not bring himself to feel any remorse for his original guilt towards herself, because he was a man of sensual passions which were inborn and ineradicable, and that he had no power over himself in this respect; but that he wished, seriously, to marry at last, and that the whole fate of the most desirable social union which he contemplated, was in her hands; in a word, he confided his all to her generosity of heart.

“Yours. You forbade me yourself to mention it before you, most excellent prince,” murmured Lebedeff. Then, satisfied that he had worked up Muishkin’s curiosity to the highest pitch, he added abruptly: “She is afraid of Aglaya Ivanovna.” Nastasia must have overheard both question and reply, but her vivacity was not in the least damped. On the contrary, it seemed to increase. She immediately overwhelmed the general once more with questions, and within five minutes that gentleman was as happy as a king, and holding forth at the top of his voice, amid the laughter of almost all who heard him. Aglaya merely glanced at the portrait--frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.

Nastasia’s arrival was a most unexpected and overwhelming event to all parties. In the first place, she had never been before. Up to now she had been so haughty that she had never even asked Gania to introduce her to his parents. Of late she had not so much as mentioned them. Gania was partly glad of this; but still he had put it to her debit in the account to be settled after marriage.

Gania had begun to frown, and probably Varia added this last sentence in order to probe his thought. However, at this moment, the noise began again upstairs.

“Come, come, don’t overdo your philosophy. Of course you did. Now it’s all over, and a good thing, too; pair of fools that we have been! I confess I have never been able to look at it seriously. I busied myself in it for your sake, thinking that there was no knowing what might happen with a funny girl like that to deal with. There were ninety to one chances against it. To this moment I can’t make out why you wished for it.”

This confidence of a stupid man in his own talents has been wonderfully depicted by Gogol in the amazing character of Pirogoff. Pirogoff has not the slightest doubt of his own genius,--nay, of his _superiority_ of genius,--so certain is he of it that he never questions it. How many Pirogoffs have there not been among our writers--scholars, propagandists? I say “have been,” but indeed there are plenty of them at this very day.

He looked at his listeners again with that same serious, searching expression.

“Here’s another alternative for me,” said Nastasia, turning once more to the actress; “and he does it out of pure kindness of heart. I know him. I’ve found a benefactor. Perhaps, though, what they say about him may be true--that he’s an--we know what. And what shall you live on, if you are really so madly in love with Rogojin’s mistress, that you are ready to marry her--eh?”

The prince regarded him attentively, but said nothing.

“Naturally, all this--”

“May be! may be so!” said the prince, faintly; his heart was beating painfully.