“The prince will forgive me!” said Lebedeff with emotional conviction.
| This message entirely calmed the prince’s mind. |
| Neither one nor the other seemed to give expression to her full thoughts. |
| They exchanged glances questioningly, but the prince did not seem to have understood the meaning of Aglaya’s words; he was in the highest heaven of delight. |
“Yes. Can’t one cut pages with a garden knife?”
Next day the prince had to go to town, on business. Returning in the afternoon, he happened upon General Epanchin at the station. The latter seized his hand, glancing around nervously, as if he were afraid of being caught in wrong-doing, and dragged him into a first-class compartment. He was burning to speak about something of importance. “There was no cap in it,” Keller announced.Aglaya raised her happy, tearful face from her mother’s breast, glanced at her father, and burst out laughing. She sprang at him and hugged him too, and kissed him over and over again. She then rushed back to her mother and hid her face in the maternal bosom, and there indulged in more tears. Her mother covered her with a corner of her shawl.
The prince jumped to the conclusion that Aglaya, too, was nervous about him, and the impression he would make, and that she did not like to admit her anxiety; and this thought alarmed him.
What had really happened?
He satisfied their curiosity, in as few words as possible, with regard to the wedding, but their exclamations and sighs were so numerous and sincere that he was obliged to tell the whole story--in a short form, of course. The advice of all these agitated ladies was that the prince should go at once and knock at Rogojin’s until he was let in: and when let in insist upon a substantial explanation of everything. If Rogojin was really not at home, the prince was advised to go to a certain house, the address of which was given, where lived a German lady, a friend of Nastasia Philipovna’s. It was possible that she might have spent the night there in her anxiety to conceal herself.“Wait five minutes more, Mr. Burdovsky,” said Gavrila Ardalionovitch pleasantly. “I have more to say. Some rather curious and important facts have come to light, and it is absolutely necessary, in my opinion, that you should hear them. You will not regret, I fancy, to have the whole matter thoroughly cleared up.”
| “I didn’t say a word, but with extreme courtesy, I may say with most refined courtesy, I reached my finger and thumb over towards the poodle, took it up delicately by the nape of the neck, and chucked it out of the window, after the cigar. The train went flying on, and the poodle’s yells were lost in the distance.” |
“Is what today?” cried the former. Then suddenly recollecting himself, he turned sharply on the prince. “Oh,” he growled, “I see, you are here, that explains it! Is it a disease, or what, that you can’t hold your tongue? Look here, understand once for all, prince--”
| “Oh! it’s not a great matter to guess who told her. A thief! A thief in our family, and the head of the family, too!” |
| “What on earth is the matter with the boy? What phenomenal feeble-mindedness!” exclaimed Ferdishenko. |
| “I--I don’t quite know how to answer your question, Aglaya Ivanovna. What is there to say to such a question? And--and must I answer?” |
“You wouldn’t draw his portrait for us, that’s why you are to blame! Aglaya Ivanovna asked you to draw his portrait, and gave you the whole subject of the picture. She invented it herself; and you wouldn’t.”
“Are you trying to frighten me? I am not Tania, you know, and I don’t intend to run away. Look, you are waking Lubotchka, and she will have convulsions again. Why do you shout like that?”
| “H’m! impossible is rather a strong word,” said Ivan Petrovitch. “You must allow, my dear prince... However, of course you value the memory of the deceased so very highly; and he certainly was the kindest of men; to which fact, by the way, I ascribe, more than to anything else, the success of the abbot in influencing his religious convictions. But you may ask me, if you please, how much trouble and worry I, personally, had over that business, and especially with this same Gurot! Would you believe it,” he continued, addressing the dignitary, “they actually tried to put in a claim under the deceased’s will, and I had to resort to the very strongest measures in order to bring them to their senses? I assure you they knew their cue, did these gentlemen--wonderful! Thank goodness all this was in Moscow, and I got the Court, you know, to help me, and we soon brought them to their senses.” |
“Do you know the Rogojins?” asked his questioner, abruptly.
“And you’ll never reproach me with it?”| “No, Tver,” insisted the general; “he removed just before his death. You were very small and cannot remember; and Pavlicheff, though an excellent fellow, may have made a mistake.” |
| The general was brought round to some extent, but the doctors declared that he could not be said to be out of danger. Varia and Nina Alexandrovna never left the sick man’s bedside; Gania was excited and distressed, but would not go upstairs, and seemed afraid to look at the patient. He wrung his hands when the prince spoke to him, and said that “such a misfortune at such a moment” was terrible. |
| Her dress was modest and simple to a degree, dark and elderly in style; but both her face and appearance gave evidence that she had seen better days. |
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
The prince muttered that the spot was a lovely one.
I.
| “I am not smiling, but I really think you are in the wrong, somewhat,” replied Muishkin, reluctantly. |
Two days after the strange conclusion to Nastasia Philipovna’s birthday party, with the record of which we concluded the first part of this story, Prince Muishkin hurriedly left St. Petersburg for Moscow, in order to see after some business connected with the receipt of his unexpected fortune.
“Hurrah!” cried Lebedeff, in a drunken voice. “Hurrah for the last of the Muishkins!”
“Oh, trust _him_ for that!” said Adelaida. “Evgenie Pavlovitch turns everything and everybody he can lay hold of to ridicule. You should hear the things he says sometimes, apparently in perfect seriousness.”
Prince S. looked as black as night, and was silent and moody. Mrs. Epanchin did not say a word to him all the way home, and he did not seem to observe the fact. Adelaida tried to pump him a little by asking, “who was the uncle they were talking about, and what was it that had happened in Petersburg?” But he had merely muttered something disconnected about “making inquiries,” and that “of course it was all nonsense.” “Oh, of course,” replied Adelaida, and asked no more questions. Aglaya, too, was very quiet; and the only remark she made on the way home was that they were “walking much too fast to be pleasant.”
At the same time his grasp of things in general soon showed Totski that he now had to deal with a being who was outside the pale of the ordinary rules of traditional behaviour, and who would not only threaten mischief but would undoubtedly carry it out, and stop for no one.
“Yes, here in my chest. I received them at the siege of Kars, and I feel them in bad weather now. And as to the third of our trio, Epanchin, of course after that little affair with the poodle in the railway carriage, it was all _up_ between us.” All present watched both of them with curiosity.Gania suddenly became so ill at ease that his face grew paler than ever.
Aglaya then lost her temper, and began to say such awful things to the prince that he laughed no more, but grew dreadfully pale, especially when she said that she should not remain in the house with him, and that he ought to be ashamed of coming to their house at all, especially at night, “_after all that had happened._”
| But the real upshot of the business was that the number of riddles to be solved was augmented. The two girls, though rather irritated at their mother’s exaggerated alarm and haste to depart from the scene, had been unwilling to worry her at first with questions. |
The prince would rather have kept this particular cross.
“It only remains for me, then, to thank Nastasia Philipovna for the great delicacy with which she has treated me,” said Gania, as pale as death, and with quivering lips. “That is my plain duty, of course; but the prince--what has he to do in the matter?”| In a state of terrible excitement she threw back her head, with flaming eyes, casting looks of contempt and defiance upon the whole company, in which she could no longer distinguish friend from foe. She had restrained herself so long that she felt forced to vent her rage on somebody. Those who knew Lizabetha Prokofievna saw at once how it was with her. “She flies into these rages sometimes,” said Ivan Fedorovitch to Prince S. the next day, “but she is not often so violent as she was yesterday; it does not happen more than once in three years.” |
| On the morning following the bacchanalian songs and quarrels recorded above, as the prince stepped out of the house at about eleven o’clock, the general suddenly appeared before him, much agitated. |
“Well--he did sleep here, yes.”
| “God bless you, dear boy, for being respectful to a disgraced man. Yes, to a poor disgraced old fellow, your father. You shall have such a son yourself; le roi de Rome. Oh, curses on this house!” |
| Gania stood before her, in his evening clothes, holding his white gloves and hat in his hand, speechless and motionless, with arms folded and eyes fixed on the fire. |
| “Why, you wished to have a talk with me when the others left?” he said. |
| While Gania put this question, a new idea suddenly flashed into his brain, and blazed out, impatiently, in his eyes. The general, who was really agitated and disturbed, looked at the prince too, but did not seem to expect much from his reply. |
“What was the matter yesterday?” (she wrote on another sheet). “I passed by you, and you seemed to me to _blush_. Perhaps it was only my fancy. If I were to bring you to the most loathsome den, and show you the revelation of undisguised vice--you should not blush. You can never feel the sense of personal affront. You may hate all who are mean, or base, or unworthy--but not for yourself--only for those whom they wrong. No one can wrong _you_. Do you know, I think you ought to love me--for you are the same in my eyes as in his--you are as light. An angel cannot hate, perhaps cannot love, either. I often ask myself--is it possible to love everybody? Indeed it is not; it is not in nature. Abstract love of humanity is nearly always love of self. But you are different. You cannot help loving all, since you can compare with none, and are above all personal offence or anger. Oh! how bitter it would be to me to know that you felt anger or shame on my account, for that would be your fall--you would become comparable at once with such as me.
| “Oh dear, yes!” |
| When--late in the evening--the prince made his appearance in Lizabetha Prokofievna’s drawing-room, he found it full of guests. Mrs. Epanchin questioned him very fully about the general as soon as he appeared; and when old Princess Bielokonski wished to know “who this general was, and who was Nina Alexandrovna,” she proceeded to explain in a manner which pleased the prince very much. |
| “‘Oh!’ I said, ‘there’s nothing to see; it’s quite a clear case--you’ve lost your post and have come up to make explanations and get another, if you can!’ |