| “You are afraid of the million, I suppose,” said Gania, grinning and showing his teeth. |
| “I don’t quite know. Your house has the aspect of yourself and all your family; it bears the stamp of the Rogojin life; but ask me why I think so, and I can tell you nothing. It is nonsense, of course. I am nervous about this kind of thing troubling me so much. I had never before imagined what sort of a house you would live in, and yet no sooner did I set eyes on this one than I said to myself that it must be yours.” |
| “Is it a note?” |
“No, I have never known her.”
“Well, go on.”
| “What? I have emeralds? Oh, prince! with what simplicity, with what almost pastoral simplicity, you look upon life!” |
| “I had a small pocket pistol. I had procured it while still a boy, at that droll age when the stories of duels and highwaymen begin to delight one, and when one imagines oneself nobly standing fire at some future day, in a duel. |
| “You told her that?” |
“Yes, my boy. I wish to present him: General Ivolgin and Prince Muishkin! But what’s the matter?... what?... How is Marfa Borisovna?”
This injunction had to be repeated several times before the man could be persuaded to move. Even then he turned back at the door, came as far as the middle of the room, and there went through his mysterious motions designed to convey the suggestion that the prince should open the letter. He did not dare put his suggestion into words again.“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“A Kammer-junker? I had not thought of it, but--”
“Yes, that wall of Meyer’s could tell a tale if it liked. There was no spot on its dirty surface that I did not know by heart. Accursed wall! and yet it is dearer to me than all the Pavlofsk trees!--That is--it _would_ be dearer if it were not all the same to me, now!“Yes, of course,” said Ferdishenko. “C’est du nouveau.”
“Come, that’s good! How can you maintain such a paradox? If you are serious, that is. I cannot allow such a statement about the landed proprietors to pass unchallenged. Why, you are a landed proprietor yourself!” cried Prince S. hotly.| But these vulgarities seemed to please Nastasia Philipovna, although too often they were both rude and offensive. Those who wished to go to her house were forced to put up with Ferdishenko. Possibly the latter was not mistaken in imagining that he was received simply in order to annoy Totski, who disliked him extremely. Gania also was often made the butt of the jester’s sarcasms, who used this method of keeping in Nastasia Philipovna’s good graces. |
“It’s loaded all right,” said Keller, examining the pistol, “but--”
| “And now you’ll have a million roubles, at least--goodness gracious me!” exclaimed the clerk, rubbing his hands. |
| “Where is it? Give it here, at once.” |
“Wouldn’t it be better, esteemed prince, wouldn’t it be better--to--don’t you know--”
It was impossible to avoid noticing them, however, in reality, for they made their presence only too conspicuous by laughing and talking loudly. It was to be supposed that some of them were more than half drunk, although they were well enough dressed, some even particularly well. There were one or two, however, who were very strange-looking creatures, with flushed faces and extraordinary clothes; some were military men; not all were quite young; one or two were middle-aged gentlemen of decidedly disagreeable appearance, men who are avoided in society like the plague, decked out in large gold studs and rings, and magnificently “got up,” generally.| Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it. The prince did not think of trying to stop it. All he could remember afterwards was that he seemed to have called out: |
Nastasia Philipovna was quite capable of ruining herself, and even of perpetrating something which would send her to Siberia, for the mere pleasure of injuring a man for whom she had developed so inhuman a sense of loathing and contempt. He had sufficient insight to understand that she valued nothing in the world--herself least of all--and he made no attempt to conceal the fact that he was a coward in some respects. For instance, if he had been told that he would be stabbed at the altar, or publicly insulted, he would undoubtedly have been frightened; but not so much at the idea of being murdered, or wounded, or insulted, as at the thought that if such things were to happen he would be made to look ridiculous in the eyes of society.
The room had a blue wall-paper, and was well, almost pretentiously, furnished, with its round table, its divan, and its bronze clock under a glass shade. There was a narrow pier-glass against the wall, and a chandelier adorned with lustres hung by a bronze chain from the ceiling.
“In the first place, don’t dare to suppose,” she began, “that I am going to apologize. Nonsense! You were entirely to blame.”
The actress was a kind-hearted woman, and highly impressionable. She was very angry now.“I’ll tell you what!” cried Rogojin, and his eyes flashed fire. “I can’t understand your yielding her to me like this; I don’t understand it. Have you given up loving her altogether? At first you suffered badly--I know it--I saw it. Besides, why did you come post-haste after us? Out of pity, eh? He, he, he!” His mouth curved in a mocking smile.
“It’s better so, you know, Gania--especially as, from one point of view, the matter may be considered as settled,” said Ptitsin; and sitting down a little way from the table he began to study a paper covered with pencil writing.“Just as before, sir, just as before! To a certain person, and from a certain hand. The individual’s name who wrote the letter is to be represented by the letter A.--”
“What delightful writing materials you have here, such a lot of pencils and things, and what beautiful paper! It’s a charming room altogether. I know that picture, it’s a Swiss view. I’m sure the artist painted it from nature, and that I have seen the very place--”
| “That seems to me all the more reason for sparing her,” said the prince timidly. |
Before long Nastasia and Gania had talked the matter over. Very little was said--her modesty seemed to suffer under the infliction of discussing such a question. But she recognized his love, on the understanding that she bound herself to nothing whatever, and that she reserved the right to say “no” up to the very hour of the marriage ceremony. Gania was to have the same right of refusal at the last moment.
“Yes. Is it really so? However, it’s all the same to us, of course.”
| “This blind, dumb, implacable, eternal, unreasoning force is well shown in the picture, and the absolute subordination of all men and things to it is so well expressed that the idea unconsciously arises in the mind of anyone who looks at it. All those faithful people who were gazing at the cross and its mutilated occupant must have suffered agony of mind that evening; for they must have felt that all their hopes and almost all their faith had been shattered at a blow. They must have separated in terror and dread that night, though each perhaps carried away with him one great thought which was never eradicated from his mind for ever afterwards. If this great Teacher of theirs could have seen Himself after the Crucifixion, how could He have consented to mount the Cross and to die as He did? This thought also comes into the mind of the man who gazes at this picture. I thought of all this by snatches probably between my attacks of delirium--for an hour and a half or so before Colia’s departure. |
| “Then, at all events, he _did_ sleep here, did he?” |
| Aglaya rushed quickly up to him, and was just in time to receive him in her arms, and to hear with dread and horror that awful, wild cry as he fell writhing to the ground. |
“May I ask you, Hippolyte, not to talk of this subject? And not to use such expressions?”
The prince took his note. Ferdishenko rose.
“Better not read it now,” said the prince, putting his hand on the packet. We have seen, however, that the general paid a visit to Lizabetha Prokofievna and caused trouble there, the final upshot being that he frightened Mrs. Epanchin, and angered her by bitter hints as to his son Gania.Gania laughed sarcastically, but said nothing. The prince, seeing that he did not quite like the last remark, blushed, and was silent too.
VII.| Many of them expected to be thrown downstairs at once, without further ceremony, the elegant and irresistible Zaleshoff among them. But the party led by the athlete, without openly showing their hostile intentions, silently nursed contempt and even hatred for Nastasia Philipovna, and marched into her house as they would have marched into an enemy’s fortress. Arrived there, the luxury of the rooms seemed to inspire them with a kind of respect, not unmixed with alarm. So many things were entirely new to their experience--the choice furniture, the pictures, the great statue of Venus. They followed their chief into the salon, however, with a kind of impudent curiosity. There, the sight of General Epanchin among the guests, caused many of them to beat a hasty retreat into the adjoining room, the “boxer” and “beggar” being among the first to go. A few only, of whom Lebedeff made one, stood their ground; he had contrived to walk side by side with Rogojin, for he quite understood the importance of a man who had a fortune of a million odd roubles, and who at this moment carried a hundred thousand in his hand. It may be added that the whole company, not excepting Lebedeff, had the vaguest idea of the extent of their powers, and of how far they could safely go. At some moments Lebedeff was sure that right was on their side; at others he tried uneasily to remember various cheering and reassuring articles of the Civil Code. |