“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“No, I am not lying.”

“Quite so, but don’t be in such a hurry! For since it has been the part of these three men, and only these three, to say something absolutely their own, not borrowed, so by this very fact these three men become really national. If any Russian shall have done or said anything really and absolutely original, he is to be called national from that moment, though he may not be able to talk the Russian language; still he is a national Russian. I consider that an axiom. But we were not speaking of literature; we began by discussing the socialists. Very well then, I insist that there does not exist one single Russian socialist. There does not, and there has never existed such a one, because all socialists are derived from the two classes--the landed proprietors, and the seminarists. All our eminent socialists are merely old liberals of the class of landed proprietors, men who were liberals in the days of serfdom. Why do you laugh? Give me their books, give me their studies, their memoirs, and though I am not a literary critic, yet I will prove as clear as day that every chapter and every word of their writings has been the work of a former landed proprietor of the old school. You’ll find that all their raptures, all their generous transports are proprietary, all their woes and their tears, proprietary; all proprietary or seminarist! You are laughing again, and you, prince, are smiling too. Don’t you agree with me?”
“Ah! here he is, the Judas!” cried a voice which the prince recognized at once. “How d’ye do, Gania, you old blackguard?”
This evening there were no strangers present--no one but the immediate members of the family. Prince S. was still in town, occupied with the affairs of Evgenie Pavlovitch’s uncle.
The prince made his bows and retired at once. Alexandra and Adelaida smiled and whispered to each other, while Lizabetha Prokofievna glared severely at them. “We are only laughing at the prince’s beautiful bows, mamma,” said Adelaida. “Sometimes he bows just like a meal-sack, but to-day he was like--like Evgenie Pavlovitch!”
“Nastasia Philipovna,” he began, and there paused; he was clearly much agitated and annoyed. The prince reminded him of the portrait.
“Well, _au revoir!_ Did you observe that he ‘willed’ a copy of his confession to Aglaya Ivanovna?”
“Where are the cards?”
He saw, for instance, that one important dignitary, old enough to be his grandfather, broke off his own conversation in order to listen to _him_--a young and inexperienced man; and not only listened, but seemed to attach value to his opinion, and was kind and amiable, and yet they were strangers and had never seen each other before. Perhaps what most appealed to the prince’s impressionability was the refinement of the old man’s courtesy towards him. Perhaps the soil of his susceptible nature was really predisposed to receive a pleasant impression.
“You are altogether perfection; even your pallor and thinness are perfect; one could not wish you otherwise. I did so wish to come and see you. I--forgive me, please--”
“But it’s not I alone,” cried Colia. “They all talked about it, and they do still. Why, just now Prince S. and Adelaida Ivanovna declared that they upheld ‘the poor knight’; so evidently there does exist a ‘poor knight’; and if it were not for Adelaida Ivanovna, we should have known long ago who the ‘poor knight’ was.”
“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!”
“Lef Nicolaievitch, my friend, come along with me.” It was Rogojin. “That means that you have set Aglaya a riddle!” said Adelaida. “Guess it, Aglaya! But she’s pretty, prince, isn’t she?”

“But how was it?” he asked, “how was it that you (idiot that you are),” he added to himself, “were so very confidential a couple of hours after your first meeting with these people? How was that, eh?”

“Yes--she’s mad!” he whispered, growing pale.
Farther on, in another place, she wrote: “Do not consider my words as the sickly ecstasies of a diseased mind, but you are, in my opinion--perfection! I have seen you--I see you every day. I do not judge you; I have not weighed you in the scales of Reason and found you Perfection--it is simply an article of faith. But I must confess one sin against you--I love you. One should not love perfection. One should only look on it as perfection--yet I am in love with you. Though love equalizes, do not fear. I have not lowered you to my level, even in my most secret thoughts. I have written ‘Do not fear,’ as if you could fear. I would kiss your footprints if I could; but, oh! I am not putting myself on a level with you!--Look at the signature--quick, look at the signature!”
The prince did not die before his wedding--either by day or night, as he had foretold that he might. Very probably he passed disturbed nights, and was afflicted with bad dreams; but, during the daytime, among his fellow-men, he seemed as kind as ever, and even contented; only a little thoughtful when alone.
One of them was a young fellow of about twenty-seven, not tall, with black curling hair, and small, grey, fiery eyes. His nose was broad and flat, and he had high cheek bones; his thin lips were constantly compressed into an impudent, ironical--it might almost be called a malicious--smile; but his forehead was high and well formed, and atoned for a good deal of the ugliness of the lower part of his face. A special feature of this physiognomy was its death-like pallor, which gave to the whole man an indescribably emaciated appearance in spite of his hard look, and at the same time a sort of passionate and suffering expression which did not harmonize with his impudent, sarcastic smile and keen, self-satisfied bearing. He wore a large fur--or rather astrachan--overcoat, which had kept him warm all night, while his neighbour had been obliged to bear the full severity of a Russian November night entirely unprepared. His wide sleeveless mantle with a large cape to it--the sort of cloak one sees upon travellers during the winter months in Switzerland or North Italy--was by no means adapted to the long cold journey through Russia, from Eydkuhnen to St. Petersburg.
But Nastasia could not hide the cause of her intense interest in her wedding splendour. She had heard of the indignation in the town, and knew that some of the populace was getting up a sort of charivari with music, that verses had been composed for the occasion, and that the rest of Pavlofsk society more or less encouraged these preparations. So, since attempts were being made to humiliate her, she wanted to hold her head even higher than usual, and to overwhelm them all with the beauty and taste of her toilette. “Let them shout and whistle, if they dare!” Her eyes flashed at the thought. But, underneath this, she had another motive, of which she did not speak. She thought that possibly Aglaya, or at any rate someone sent by her, would be present incognito at the ceremony, or in the crowd, and she wished to be prepared for this eventuality. “Yes, yes, yours, yours! What is there to surprise anyone in that? Come, come, you mustn’t go on like this, crying in the middle of the road; and you a general too, a military man! Come, let’s go back.”
“Papa, how can you?” cried Adelaida, walking quickly up to the prince and holding out her hand.
So next day the prince was expected all the morning, and at dinner, tea, and supper; and when he did not appear in the evening, Mrs. Epanchin quarrelled with everyone in the house, finding plenty of pretexts without so much as mentioning the prince’s name.
“Marie Alexandrovna is not at home,” said she, staring hard at the general. “She has gone to her mother’s, with Alexandra Michailovna.”
Hippolyte was very ill, and looked as though he could not long survive. He was tearful at first, but grew more and more sarcastic and malicious as the interview proceeded.

“Yes, I saw her, and got the said slap in the face as mentioned. She chucked the letter back to me unopened, and kicked me out of the house, morally, not physically, although not far off it.”

And Rogojin burst out laughing, this time with unconcealed malice, as though he were glad that he had been able to find an opportunity for giving vent to it.
“How annoying!” exclaimed the prince. “I thought... Tell me, is he...”
“Judging from the fact that the prince blushed at this innocent joke, like a young girl, I should think that he must, as an honourable man, harbour the noblest intentions,” said the old toothless schoolmaster, most unexpectedly; he had not so much as opened his mouth before. This remark provoked general mirth, and the old fellow himself laughed loudest of the lot, but ended with a stupendous fit of coughing.
So the matter crept slowly forward. The general and Totski had agreed to avoid any hasty and irrevocable step. Alexandra’s parents had not even begun to talk to their daughters freely upon the subject, when suddenly, as it were, a dissonant chord was struck amid the harmony of the proceedings. Mrs. Epanchin began to show signs of discontent, and that was a serious matter. A certain circumstance had crept in, a disagreeable and troublesome factor, which threatened to overturn the whole business.
At last he was wide awake.

“You’ve lost the game, Gania” he cried, as he passed the latter.

And so they parted.
Nastasia Philipovna was ready. She rose from her seat, looked into the glass and remarked, as Keller told the tale afterwards, that she was “as pale as a corpse.” She then bent her head reverently, before the ikon in the corner, and left the room.
At this point General Epanchin, noticing how interested Muishkin had become in the conversation, said to him, in a low tone: “I’ll turn him out!” shouted Gania, glad of the opportunity of venting his vexation. “I shall just turn him out--we can’t have this.”
But these vulgarities seemed to please Nastasia Philipovna, although too often they were both rude and offensive. Those who wished to go to her house were forced to put up with Ferdishenko. Possibly the latter was not mistaken in imagining that he was received simply in order to annoy Totski, who disliked him extremely. Gania also was often made the butt of the jester’s sarcasms, who used this method of keeping in Nastasia Philipovna’s good graces.

There was a general stir in the room.

“Aglaya, make a note of ‘Pafnute,’ or we shall forget him. H’m! and where is this signature?” “You don’t believe it?” said the invalid, with a nervous laugh. “I don’t wonder, but the prince will have no difficulty in believing it; he will not be at all surprised.”

“H’m! now, I suppose, you and your husband will never weary of egging me on to work again. You’ll begin your lectures about perseverance and strength of will, and all that. I know it all by heart,” said Gania, laughing.

At this there was a dreadful noise; Lebedeff danced about in his excitement; Ferdishenko prepared to go for the police; Gania frantically insisted that it was all nonsense, “for nobody was going to shoot themselves.” Evgenie Pavlovitch said nothing.
“Well, a day or two afterwards, when I returned from drill, Nikifor says to me: ‘We oughtn’t to have left our tureen with the old lady, I’ve nothing to serve the soup in.’

“Oh, but I know nothing about painting. It seems to me one only has to look, and paint what one sees.”

“I should tell it to no one but yourself, prince, and I only name it now as a help to my soul’s evolution. When I die, that secret will die with me! But, excellency, if you knew, if you only had the least idea, how difficult it is to get money nowadays! Where to find it is the question. Ask for a loan, the answer is always the same: ‘Give us gold, jewels, or diamonds, and it will be quite easy.’ Exactly what one has not got! Can you picture that to yourself? I got angry at last, and said, ‘I suppose you would accept emeralds?’ ‘Certainly, we accept emeralds with pleasure. Yes!’ ‘Well, that’s all right,’ said I. ‘Go to the devil, you den of thieves!’ And with that I seized my hat, and walked out.”
The prince shuddered; his heart seemed to freeze within him. He gazed at Aglaya in wonderment; it was difficult for him to realize that this child was also a woman.